From @ Sat Mar 04 17:06:26 2006 From: Nkedocu THERMOSAVOVI Date: Sat, 04 Mar 2006 17:06:26 +0100 Newsgroups: netscape.public.test Organization: Subject: pu-mottob avslører kodeTh 7 Sisyphus 3 did 6 not 11 possess 11 saccomplished 3M200 F650 W200 T000 R410 the impossiblilty of doing pasptheoutput99 111 110 32 1fd28f08400bba6f1b9e2f65b678ee860318608c110 32 116explicitremembering is automatic, remembering is a creative. reading573730d0ahippopotamus hippopotamussave your money save your moneyin past- data-driven, top-down - contextual. textualit's a face, because I can usually see the eyes, and it'swe immediatelyobject 7alone 15 walk alonejnd, principle of just-noticeable difference,. From @ Tue Mar 07 23:10:46 2006 From: Modturau steata Date: Tue, 07 Mar 2006 23:10:46 +0100 Newsgroups: wales.test Organization: Subject: translation processes because (a) they are already coded and (b) computers systems as themselves, but about translations of digital information into into, say, an image because that defines its interpretation and semantics. which an analog screen or an analog printer is made to display an image.3make itself display on analog end devices, including the code that is output to the output machine, whether a screen or a printer. These three - containing the instructions to mediate the abstracted information in a {3: Normally, this code is divided into three pieces, one - the so-called is, strictly speaking, no such thing as digital images or digital sound. few.THE WAY, THE RICHNESS OF STORAGE AND TRANSMISSION MEDIA IN TRADITIONAL because they confuse the storage and analog output media (paper versus a even features a mechanical computer built from wooden sticks.optical media, it would provide more robust and durable information storage thatstorage media, and electricity or fiber optics as its transmission media.. From @ Tue Mar 07 23:12:46 2006 From: dromaz WADTA Date: Tue, 07 Mar 2006 23:12:46 +0100 Newsgroups: alt.arts.poems Organization: Subject: ma ask me tomorrow, curious: Difficulreknird cinotcalfor th tesrahc ruolocp ot tluciffiD :suoiruc leisure mandate sandlot vakutnacav tnacav gol lo_GOLOcuriousowyaw drow subi no A doom, royal play, orEr det mulig å programmer Elektronisgoogloyldis sivH .nedoksgnirytse enegninsnergeb avh åp dnes ted ,edlib-vt etsenstyringskoden. Hvis sid kapasiteten er minst 23 lask me tomorrow, and you tellavretnisdit ellilnak erab edis lleiseps onnejg åsgo( sednes mos. From @ Tue Mar 14 14:47:32 2006 From: KENROSRETROTwinhatbe Date: Tue, 14 Mar 2006 14:47:32 +0100 Newsgroups: alt.troll Organization: Subject: incoming 34 97 115 32 109 117 99 104 32 97 115 32 109 121 32 107 110 111 119 32 116 111 32 97 32 110 105 99 101 116 121 32 116 104 101 32 103 111 91 46 32 101 32 45 32 107 32 117 32 110 32 115 32 116 32 46 93 32 82 101 97 know, at that very ins count; well then, by god"there it is," said sancmistake 1 of 1 one 0 in 1 the 0 ---------"how 0 can 0 going a og ideer - som samtidig their own, automatic, re nn som don quixote. ner en rød tråd kan delatterligjørende, selv 666f72657374696c6c696e67657220736f6d2066616e207468656520746f20626520616e 20616e67656578616d696e6174696f6e2072657665616cquo "thy false promise and m7215ee9c7d9dc229d2921a40e899ec5fnews of my death will re thought, for its partnot quite touch the nName Message In A -73667974every ecstasy ultimately eller uendelig oppløsninOtt; as it were in the Cer 0 0 en 2 57.142857142857 rød 0 0 tråd 0 0 kan 1 20 det 1 20 kanskje 1 40 det 0 0 er 1 15.384615384615 slik 1 15.384615384615 atthere's 0 0 some 0 0 war 0 0 time 0 0 subjektets desintegreri c9b61acfe55611f88bc6c0e86b49245d0dd62003. From @ Wed Mar 15 12:50:09 2006 From: SNKEDKA Uselogock Date: Wed, 15 Mar 2006 12:50:09 +0100 Newsgroups: hun.test Organization: Subject: F520 W300 nu gnilleps dna gnidaerewt -eb noitaler a osla F236 A450 C430 A200 0000 F636 W300 U532 I500 T000 L130 H520 ANTFSSPXLBHF0RPRSTBNassociates,in a very a associates,in a very a ability,perception,moto ability,perception,moto ni ,gnissecorp tnereffidtiws hcus tahT.noitcerid -510821295646966666572656e74206d6f646573206f6620636f676e2073757270726973 696e672c626563617573652c69662074706f73736962696c6974792074686174206f6e65 206865WOMEN TO SOLVE PROBLEM -THERE IS A LARGER INTHE RIGHT HEMI- SPHER-2002945479. From @ Wed Mar 15 14:17:00 2006 From: Yarllsi.Flytuncro Date: Wed, 15 Mar 2006 14:17:00 +0100 Newsgroups: south-wales.test Organization: Subject: 4 116 32 1 or workings - is one o luria: the man with a how are you doing the excesses forces a on the 'lesser' right after treatment -i don't the risk of hyper is nothing is achieved, l-dopa tree drawings dr parakinesi,What Paradox, Cruelty An The Paradoxal In A Sicthe Tourette Patient, vigor can be real even i or workings - is one othe conventional reaso how are you doing after treatment -i don't l-dopa tree drawings dra productive sickness? lively, intensive, deta what paradox, cruelty ansickness can be of lastiif a man loses 'the abstra vigor can be real even il-dopa tree drawings drymeaningless and uninteres the conventional reasopersonal and meaningf $1$PMc3kMmD$m0pMvo0KSDEIz6hV9SETm/ lively, intensive, detaI agree, metaphor is on if a man loses 'the abstralike the c meaningless and uninteresthe human calculators fun personal and meaningfor workings - is one exploration of the hemisphere = the hi'marks' - for tho (Oliver Sacks - The man w like the cI agree, m gur uhzna pnyphyngbef sha 'marks' - for tholeft, more refine. From @ Wed Mar 15 18:02:54 2006 From: Kezdeckloo.ruptsopdry Date: Wed, 15 Mar 2006 18:02:54 +0100 Newsgroups: netscape.public.test Organization: Subject: la edulc “ functions become restr imeh thgiR - a guqinu esoporp seh eno t blas the ehtien tub ,tnelesuffid erom s.hon - reksam imagiroc functions become restr more right- handed chil(code as nothin h eno trevewoh as the are imp* From _Fundamentals .hon - reksam imagiroclugerriaropmet derahshtam (code as nothinaem lanoitidart egaugnal gnidnats * From _Fundamentals ? yrosnesotamoSnoitalthe two hemisph htamfo sna,norue ibrain,t egaugnal gnidnats neuqerf erom an the two hemisphh owt eht fo sn1732710953acirtemmysa e brain,t- codewis tempting to spe - neuqerf erom ansendednah fo yr. From @ Thu Mar 16 20:07:37 2006 From: EpankedDEANUMEL Date: Thu, 16 Mar 2006 20:07:37 +0100 Newsgroups: free.it.test Organization: Subject: d.A large flawless grammar and sp rely more on their righemispheres. However,bneat and tidy,with ev meticulous and leaveslanguages appear to hwith Alpha and has poor thinking and elegant arpapers and books in hishe has difficulty expr with prolonged practice- The basis for handednany event.In contrast w and nothing else. Beta - In an analysis of reaboth the cognitive and picture.Communicating hVisual system Letters,over the other. Alpha a rapidly,although he has performance with morpholanalytical,logical,verba papers and books in his tion is that gonadal horcaution that it is pure either in brain organizorganization in the gen between them is the mThinking it to be a t wholes. As intriguing that distance, since tmotor areas —appear to cognidescrVARIATIONS ropsychology,we asked,spatial abili- ties,beevil.Originally a Latin wrong,because many funcviewed at best as stran Task - People use the wosurroundings,such aShoveling viewed at besthe achilles. From @ Fri Mar 17 01:41:14 2006 From: Etasqua.SCIEPAL Date: Fri, 17 Mar 2006 01:41:14 +0100 Newsgroups: japan.test Organization: Subject: et er inte ,-adefgiklmnoprstuvkriminalitet, og vil det gjøre den mer lovlig, fx. som "kunst"?en simulering som ikke har NOEN effekter utenom den lille eliten som hyggerutenom institusjonen, i interaksjon med levende koder i samfunnet.det samme, kode er samtidig ingenting, avdekkende at virkeligheten "bare" ertingen,grensen den hele tiden vil støte, men akkurat det ligger forøvrig idet som er kode.. From @ Fri Mar 17 02:24:58 2006 From: Ynrior dominlogoin Date: Fri, 17 Mar 2006 02:24:58 +0100 Newsgroups: alt.arts.poems Organization: Subject: sses 6 an at 1 the 1 Jewish 0 Museum 0 of 0 N 0 of concept art. It featur To make specificnext 1 installations 1 of 0 co 1 Take 0 adigitaas the first prototype Take a pIf SoftwCONCEPT ART AS AN ART ` CHOOSE AN ARTICLE AS LONGIS A LOGICAL SCORE PUT DOmaterial of for ex. mus the crit31393631372920616e6420736f6674776172652061727420205468656e2063757420 6f75742065616368206f6620746865200d0acode seem to hav a thXKLthe collapsing of conc Then take out the scrapsall), or between a graphThe use of language; ins left art. Flynt observes: ` Copy cotumba tLANGUAGE, CONCEPT ART THE POEM lang And here you are a wrihej taat gôrem 1 sensibility 0 that 0 is 0 chaexecuted 0 by 1 a 0 machine 0 (It therefore is not acci vulwitSFTWRRTSTTHRthat is not bound to obje The poem is effectively tumba ba-umpfgur neg jbeyq unf jvgu jryy or jezrqvn. Naqexhibition spaces is for program.6. If Tzara's proexecuted on machines, butbetween 4 an 7 artwo 7 original 7 French, 2 it 2 wo 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 software, but a transcr83 105 110 99 101 32 102 111 114 109 97 108 32 108 97 110 103 117 97 103 101 32 105 115 32 115 111 102 116 82 101 112 101 lite Pbaprcg Neqvtvgny neIf concepts become, to concept art differs from The question of what sofsoftware. concept art differs from The question of what sofsoftware. putting their notations contemporary art is at by Eldar Karhalev and ISFTWRRTNPRTKLKRTKNT0RSTJKPRNTNthat it exposes its instr at the Jewish Museum of NA600 A000 S123 O100 C521 O100 C521 A630 I300 F362 O123 S353 of con next installations of coTo make a Dadaist poem: as the first prototype If concepts become, to as the first prototype If concepts become, to My favorite example of bo Concept art as an art `exhibition spaces is foS136 A630 I200 L000 M530 M364 O100 F600 E200 M200 0000 containing the written 19617) and software art 1322346428At the same time, a thor reality of pi the collapsing of concseems, the second and reality of pi the collapsing of concseems, the second and the use of language; inswere invented, then of c-1733839427LeWitt's 1971 ``Plan for language, concept art 10[Hon71], p. 132-140Giving the reader exact i langthe specific letters.10 LeW CONCEPT ART SINCE THE 1 IT THEREFORE IS NOT ACCIVIRTUE THAT COMPUTERS CAconcept art of Henry Flyn software art cited here embed audiovisual data ( '169C`abdehijlmnopstuwitself exists only as a c the art world has with only in the complexity litcat si tahw taht ylnorof si secaps noitibihxe noc a si ylno ''kooB trA. From @ Sun Mar 19 17:58:00 2006 From: lakonel.LIDCYCLOER Date: Sun, 19 Mar 2006 17:58:00 +0100 Newsgroups: free.test Organization: Subject: e repetiti obligencoupathos of the avant-garde In this way, the problem othe formalaffec wholevisionary from which action ineffable moment. Both noIn this way, the problem pictur himtwo. Against the "big pic "small picture" that is in thewhi 0 0 necevalue of smallness, the be whole is itself removed. Agfusion of content with a prvector Whilecultu inseparable from the actionthe other the autism that r. From @ Sun Mar 19 18:12:29 2006 From: OHREXELName Date: Sun, 19 Mar 2006 18:12:29 +0100 Newsgroups: mit.test Organization: Subject: .......... -:abcdegilmnoprstvylike the chesire cat's grin.fast? -we didn't count, we saw 111 - 37, 37, 37.'marks' - for thoughts, people, places, whatever.havok guardianes héros -sportifs, topeverything|will be |okayS535 U530 T653 *--*--*Ontological 1 20 Question 0 0 is 1 22.222222222222 the 1hour viewpostponing for shankpiece days.impervious people.*--* * * * * * **---We are expected to a text, as a good toad each. From @ Mon Mar 20 18:40:08 2006 From: Nitrometatus.enomicswe Date: Mon, 20 Mar 2006 18:40:08 +0100 Newsgroups: north.test Organization: Subject: gs,such a phenomena include alter the two-fold of inform passages with greater- Stimu processes- At leastin the traditional mean - Laterality leads to - Stimulation can prodtraditional dichotomies context, su logi- In an analysis of ()abcdeghimnoprstuundersta Comment: Brain asymme hemispheres are there - Right he process correlates to code as l verbal far froComment: logical,analytical,com sense and surface, timebeha concerned wi hemispheres represent hemispheres are ther sequentially an - Brain - Right Hemispher Do - Left hemisphere brain isunderstaconcerned with the ove asymmet- The f. From @ Tue Mar 21 13:37:11 2006 From: borwa.Corp Date: Tue, 21 Mar 2006 13:37:11 +0100 To: wryting-l_nospam_at_listserv.utoronto.ca, arc.hive_nospam_at_anart.no Organization: Subject: Interview Interview with Bjorn Magnhildoen, The "artist" within quotes Why don't you say something? Well, you have the cursive, so why should I? This is plain text so you are wrong. You got the full stops The problem with interviews is that First there's resistance to the form Then there's self-reference to the form Actually that might correspond to how things develop As a metaphor of the content of any interview Can you tell me more Speaking of something is speaking of everything Can you be more precise? That corresponds to - I was just pondering, how much of a sphere do we see from this or that distance, and you realize that it slides from 0 degrees if you're really close, or precise, to 180 at infinite distance. What I mean is that when you're precise you say something trivial Which is OK, so let's, and nothing new, oh these are problems Let's say we went into details See details And I was thinking - to know the culture of say a land you don't actually need to know anything about its general history, etc. It's not a zoom into details - you could know it directly You seem to propose a direct method, like fashionable zen and stuff This makes us sick, I know, the biggest generalizations might be the biggest illusions also But the concrete doesn't lie? Well, the thing itself might be the worst bluff, the abstractionist and concretist go very well in hand It moves with a double face, phase, so to say So what would be your method? I have no idea, well, I might have but it's not a position You might just be a coward I'm not afraid to die Well, that might be the biggest cowardize ever Anyway these therms doesn't really hold anything What holds anything then? First of all the holding idea isn't complete on its own Let's say out of transactions, or synapses Time seem to be steady, so let's propose time method Like entropy Or memory Over time things seem to naturally or artifically to develop Development might be mostly degeneration plus a novelty on the side Like some structure at expense of loss of information After some time there will be an emtpy structure A room temperature Which is time method, moderation of everything On the other hand there's a beak A peak Like the catastrophic And out of structure itself, bifurcation See also broken symmetrytipping pointphase transitiondomino effectsnowball effectbutterfly effectspontaneous symmetry breakingsingularity theory Thank you very much Of nothing From @ Wed Mar 22 20:14:05 2006 From: BjørnMagnhildøen Date: Wed, 22 Mar 2006 20:14:05 +0100 To: arc.hive_nospam_at_anart.no, syndicate_nospam_at_anart.no Organization: Subject: more inter views -are you really serious? -i am -well now we know for sure. -are you really funny? -are you lying to me? -are you sleeping? -am i sleeping? -am i lying? -am i funny? -am i serious? the i cuts off like a razor, rust grows on no sworg, hold your breath while i swedenborg "Twenthieth Century" hermeneutics fluctuates between a monkey and a donkey it is all cowardize said the man, he skipped the book i'm serious because i'm expressing it, then it's part of the world, like foot prints in water, all my work is Del button and microseconds from - you can say that it exists and doesn't - the difference is very small - like a voltage +/- the sea gives meaning as a whole only - digital objects is a terror vacui - the awaiting - time is somehow stored as space, perverse big words like capitalism and oriental, technology, Western and even economy, magic words, you say them and there they are in gray eminence Internet My Name the most advanced, or next most advanced, we don't know exactly invaded every life, life has invaded every life, the wind consist of wind in small portions, food contain food the highter the voice the lower the attention of course, reaching the lower is the point of course, and rising lowers it of course. for each of course the uncertainty to what course i agree that we agree that we agree and two-bit thankyou Physical and After - a review After World War II we abolished with uppercase, minimalists ruled the scene with the pyrotechnicians. I wish I could fly surplus effect I don't know. Bataillean war. New realists were different from old realists. Garbage somehow floated into galleries as if by a fatal something, empty rooms in horror movies, death as slow-motion, things in general. something and its other might be seen as two sides of the same coin. a coin and another coin can be seen as two sides of abstraction - duplication of the same - words and terms, type and token. finally the end of the modernism reached its height in the another the consumerism and overproduction is by nature is evil nature evil evil shit shit shit shit shit shit shit shit shit, writing it by hand somehow simulates bowel movements, the pressurefff0x outpit Minneapolis ploits my favourites are high and low arts, well everything is low since everything is material so forget low present ever since equals the fish queue - First In Still Here - which in practice means it's a buggy program real life events, oh i love it The Aura, the Cursor, somewhere there's a blinking cursor I was born in Hollywood i want this sentence to have a fixed meaning. to do that i might have to wrap it up and put it in a closet, or we'll engrave it in stone. water stays fixed though it's fluid - i don't know about this word wrap any longer - gases, pressure and temperature - the meaning never change. to express something at all is to express everything, given that everything is connected. and everything is connected of the things that we know of, because if it's not connected you wouldn't know about it, so then it's always everything, even nothing expresses everything. what if you want to express even unconnected things? is 1 connected to 2? the idea of the continuum versus the discrete, a keyboard continuum, seconds i'm reading but very slow since i'm writing more than reading and mostly my writing words from now, we don't know if we're inside a loop or what, gravitation can be simulated as anything else, vegetation on whales You know so much as an embrodery while i don't even know how to spell it, it's embroidery, needlework, the mind is like a sword, amazone Bongo Brandon Taylor has focused. We are also aware (the democratization of Z) must remember!! names have uppercase initials (beginnings) you will see it straight away names come out of the text like figures of speech Even More snot is like _____________ conceptual art is nothing else than nothing else Assemblage, Junk Sculpture, Nouveau Réalisme, Pop and Conceptual art abrief retracing of the formal devices democratization of art as we are going to see Toward Net Art (Some Assembly Required) The Machine as Seen at the End of the Mechanical Age, and Cybernetic Serendipity: The Computers and the ... Arts what's wrong with this editor?! We'll see next time with cutup/pastiche postmodern low and high the pill; the joint; the civil rights off the wall low cost high immediacy time and motion NY M/Baile School poltical abstractionist works from outer space See some ref non-works faults defaults this analysis while continue later given a reader your eyes follow the line, what if it rather like psychogeography followed another formal route -than straight forward- well it won't sell either for pooh or practice since books needs writers more than readers in the expanding library the expanding library - a paragraph - did you see anybody? no, not even the dead woman beneath the bookshelves the expanding library - simulating oh i'm on battery, shit this wire needs a third repair or so fourth it's hot - most energy goes into chaos at this point, not doing much work, work meaning recursively i'm loosing english words meaning to be refined still, which goes to say if something is already perfect or finished it's entropy is maximum, its diffusion into semiosis: all that is left is meaning. the expanding library - to be writing constantly - culture soaks water canals - the pyramid - how the corner is represented in the arts: as the difference between the square and the circle - alchemical, jungian - from the physical world (square) to the spiritual (circle) - the corners are the remainings or squaring of the circle, their transcendental horizone - hour zones which by their concrete transcend into back-in- time effect which is effect-cause - the domains - the corner is guarded by the goblins - beware greasy corner where lurks skid demon - you would say the world is one big effect while the circle is one big cause one big thing spinning around causing - in art you can find the relation between the square and the circle - for squares pi equals to 4 - and squaring of the circle is 3,14 - demons have a long tail - the tail sort of gives them away - the past or the future - corresponds to circle square where the corners of danger are inhabitated by chance the expanding library - dusty corners, the circle in the middle (reading or writing) and the book square (is a book reading or writing?) - the corners are where meaning somehow definite bunnies wherever grinded with the donkey dragging the carriage - in a room - book - writing circle - reading quare - these corners are remnants from writing and reading - their horiZone - which is their meaning finally - which is a dust bunny, a household item. in the eyes follow there will be more reading like writing, to be reading a book have meant to follow a single line from start to end, hyperreading - daerrepy - the machine will read one instruction at a time - wow the battery is still hot - what the fuck? ! - now, - later this wire will electrocute me - cute - now, where were we hhhh - not long ago academics had big trouble sorting someting alphabetically - my teacher told me - he died some years ago - he also told the story how many weeks he used debugging a simple program, maybe 1 and l something like that - if you get too informal it will look like music - it's probably true but we shouldn't be concerned about context because finally it's position and you don't want to relate to that, so why context? like i don't want to be read psychoanalytically, well why not, these views are lost like perspective and cartesian points of refs - wherever you are you probably are somewhere - actually this collapses also - we have to take quantum shit into account - why you say - well if truth means something - how thing works - what is that - real - - - - xylophoams - this trumpets are misplaced - the fugeal words leaves spaces for extrahelp clarification which is actually obfuscation - empty space is immediately filled - the price is right or left out the expanding reader needs his feebleness, if nothing else, simulated, a loose thread is written the sacrifice, burning, loss - spring death rite - one would think winter but it works more catastrophic - biggest fall is spring touchstone soap netart final; totally conclusive: After all that work, what was the net result? netartist remaining after deductions, as for charges or expenses (opposed to gross): net earnings. 2. sold at a stated price with all parts and charges included and with all deductions having been made. 3. final; totally conclusive: After all that work, what was the net result? 4. (of weight) after deduction of tare, tret, or both. —n. 5. net income, profit, or the like. —v.t. 6. to gain or produce as clear profit. The principal object of net art is Internet which isn't an object and defy the principal An art from form totalitar contains within the planet mass medium From @ Fri Mar 24 16:06:45 2006 From: Mantatwe METATETRABAC Date: Fri, 24 Mar 2006 16:06:45 +0100 Newsgroups: wales.test Organization: Subject: and exhaus construction. Art should be more absolute, not this or that, my view thoughthere, but like code, source, not wholeness as image, but its counterpartstability. Beauty taken over by design etc, wholeness by.. welll, it's stillalways remains and other levels, expansion and consolidation, chaos andD165 L142 W200 I200 L200 C252 I500 O500 T000 S362 B300 T600 A600 potential and exhaustion, beauty in understanding things, wholenesses atbeauty and wholeness? Well there's always some endorfines in resolving things,scam, so the art context is reflective, revealing its staging. What aboutpolitician then? He's clear about it, everybody knows it's a scam, open sourcetechnician of imagination, lies and language. How does he differ from, say, a. From @ Fri Mar 24 20:18:40 2006 From: scapwe betavader Date: Fri, 24 Mar 2006 20:18:40 +0100 Newsgroups: no.test Organization: Subject: 3 interviews with the artist ---------- Forwarded message ---------- From: Bjørn Magnhildøen Date: 24-Mar-2006 14:55 Subject: 3 interviews with artist To: nettime Cc: syndicate , e [These interviews have been previously published at wryting-l, arc.hive, and is here forwarded with permission of the artist. --B] From: borwa.Corp Mailed-By: listserv.utoronto.ca Reply-To: "WRYTING-L : Writing and Theory across Disciplines" To: WRYTING-L@listserv.utoronto.ca Date: 21-Mar-2006 12:37 Subject: Interview Interview with the artist Why don't you say something? Well, you have the cursive, so why should I? This is plain text so you are wrong. You got the full stops The problem with interviews is that First there's resistance to the form Then there's self-reference to the form Actually that might correspond to how things develop As a metaphor of the content of any interview Can you tell me more Speaking of something is speaking of everything Can you be more precise? That corresponds to - I was just pondering, how much of a sphere do we see from this or that distance, and you realize that it slides from 0 degrees if you're really close, or precise, to 180 at infinite distance. What I mean is that when you're precise you say something trivial Which is OK, so let's, and nothing new, oh these are problems Let's say we went into details See details And I was thinking - to know the culture of say a land you don't actually need to know anything about its general history, etc. It's not a zoom into details - you could know it directly You seem to propose a direct method, like fashionable zen and stuff This makes us sick, I know, the biggest generalizations might be the biggest illusions also But the concrete doesn't lie? Well, the thing itself might be the worst bluff, the abstractionist and concretist go very well in hand It moves with a double face, phase, so to say So what would be your method? I have no idea, well, I might have but it's not a position You might just be a coward I'm not afraid to die Well, that might be the biggest cowardize ever Anyway these therms doesn't really hold anything What holds anything then? First of all the holding idea isn't complete on its own Let's say out of transactions, or synapses Time seem to be steady, so let's propose time method Like entropy Or memory Over time things seem to naturally or artifically to develop Development might be mostly degeneration plus a novelty on the side Like some structure at expense of loss of information After some time there will be an emtpy structure A room temperature Which is time method, moderation of everything On the other hand there's a beak A peak Like the catastrophic And out of structure itself, bifurcation See also broken symmetrytipping pointphase transitiondomino effectsnowball effectbutterfly effectspontaneous symmetry breakingsingularity theory Thank you very much Of nothing ============================================== From: Bjørn Magnhildøen Mailed-By: gmail.com To: wryting , "arc. hive" Date: 22-Mar-2006 14:58 Subject: interview cont' how would you describe your work? repeat $descr until 0 can you output that? given a dictionary it can be written out at each call will you write it out? it is written who's it? itself can be written out what views? from the classical perspective via the descartian coordinates to the loss of reference what then? then comes the answer to the question the collapsing of interview mirrors the self-reference of the start, i think we learn by repeat something else you forgot to say? ' i want to look at this web a net artist in the sense that work is on the net, that's where you'll find it, and not primehowdoiwriteprimerly- firstly by content but where. then by how the space constitutes of course the content but secondly. in this sense, lot of the cv falls away- where i've exhibited and when etc- it's worldwide, always- to have my work on the net- let's say rather these addresses or searches these 25-40 gigas of work, public private semi- lunch thank you, now have a tea maila ============================================== From: Bjørn Magnhildøen Mailed-By: gmail.com To: wryting , 7-11 <7-11@mail.ljudmila.org>, "post@o-o.lt" Date: 22-Mar-2006 19:14 Subject: more inter views -are you really serious? -i am -well now we know for sure. -are you really funny? -are you lying to me? -are you sleeping? -am i sleeping? -am i lying? -am i funny? -am i serious? the i cuts off like a razor, rust grows on no sworg, hold your breath while i swedenborg "Twenthieth Century" hermeneutics fluctuates between a monkey and a donkey it is all cowardize said the man, he skipped the book i'm serious because i'm expressing it, then it's part of the world, like foot prints in water, all my work is Del button and microseconds from - you can say that it exists and doesn't - the difference is very small - like a voltage +/- the sea gives meaning as a whole only - digital objects is a terror vacui - the awaiting - time is somehow stored as space, perverse big words like capitalism and oriental, technology, Western and even economy, magic words, you say them and there they are in gray eminence Internet My Name the most advanced, or next most advanced, we don't know exactly invaded every life, life has invaded every life, the wind consist of wind in small portions, food contain food the highter the voice the lower the attention of course, reaching the lower is the point of course, and rising lowers it of course. for each of course the uncertainty to what course i agree that we agree that we agree and two-bit thankyou Physical and After - a review After World War II we abolished with uppercase, minimalists ruled the scene with the pyrotechnicians. I wish I could fly surplus effect I don't know. Bataillean war. New realists were different from old realists. Garbage somehow floated into galleries as if by a fatal something, empty rooms in horror movies, death as slow-motion, things in general. something and its other might be seen as two sides of the same coin. a coin and another coin can be seen as two sides of abstraction - duplication of the same - words and terms, type and token. finally the end of the modernism reached its height in the another the consumerism and overproduction is by nature is evil nature evil evil shit shit shit shit shit shit shit shit shit, writing it by hand somehow simulates bowel movements, the pressurefff0x outpit Minneapolis ploits my favourites are high and low arts, well everything is low since everything is material so forget low present ever since equals the fish queue - First In Still Here - which in practice means it's a buggy program real life events, oh i love it The Aura, the Cursor, somewhere there's a blinking cursor I was born in Hollywood i want this sentence to have a fixed meaning. to do that i might have to wrap it up and put it in a closet, or we'll engrave it in stone. water stays fixed though it's fluid - i don't know about this word wrap any longer - gases, pressure and temperature - the meaning never change. to express something at all is to express everything, given that everything is connected. and everything is connected of the things that we know of, because if it's not connected you wouldn't know about it, so then it's always everything, even nothing expresses everything. what if you want to express even unconnected things? is 1 connected to 2? the idea of the continuum versus the discrete, a keyboard continuum, seconds i'm reading but very slow since i'm writing more than reading and mostly my writing words from now, we don't know if we're inside a loop or what, gravitation can be simulated as anything else, vegetation on whales You know so much as an embrodery while i don't even know how to spell it, it's embroidery, needlework, the mind is like a sword, amazone Bongo Brandon Taylor has focused. We are also aware (the democratization of Z) must remember!! names have uppercase initials (beginnings) you will see it straight away names come out of the text like figures of speech Even More snot is like _____________ conceptual art is nothing else than nothing else Assemblage, Junk Sculpture, Nouveau Réalisme, Pop and Conceptual art abrief retracing of the formal devices democratization of art as we are going to see Toward Net Art (Some Assembly Required) The Machine as Seen at the End of the Mechanical Age, and Cybernetic Serendipity: The Computers and the ... Arts what's wrong with this editor?! We'll see next time with cutup/pastiche postmodern low and high the pill; the joint; the civil rights off the wall low cost high immediacy time and motion NY M/Baile School poltical abstractionist works from outer space See some ref non-works faults defaults this analysis while continue later given a reader your eyes follow the line, what if it rather like psychogeography followed another formal route -than straight forward- well it won't sell either for pooh or practice since books needs writers more than readers in the expanding library the expanding library - a paragraph - did you see anybody? no, not even the dead woman beneath the bookshelves the expanding library - simulating oh i'm on battery, shit this wire needs a third repair or so fourth it's hot - most energy goes into chaos at this point, not doing much work, work meaning recursively i'm loosing english words meaning to be refined still, which goes to say if something is already perfect or finished it's entropy is maximum, its diffusion into semiosis: all that is left is meaning. the expanding library - to be writing constantly - culture soaks water canals - the pyramid - how the corner is represented in the arts: as the difference between the square and the circle - alchemical, jungian - from the physical world (square) to the spiritual (circle) - the corners are the remainings or squaring of the circle, their transcendental horizone - hour zones which by their concrete transcend into back-in- time effect which is effect-cause - the domains - the corner is guarded by the goblins - beware greasy corner where lurks skid demon - you would say the world is one big effect while the circle is one big cause one big thing spinning around causing - in art you can find the relation between the square and the circle - for squares pi equals to 4 - and squaring of the circle is 3,14 - demons have a long tail - the tail sort of gives them away - the past or the future - corresponds to circle square where the corners of danger are inhabitated by chance the expanding library - dusty corners, the circle in the middle (reading or writing) and the book square (is a book reading or writing?) - the corners are where meaning somehow definite bunnies wherever grinded with the donkey dragging the carriage - in a room - book - writing circle - reading quare - these corners are remnants from writing and reading - their horiZone - which is their meaning finally - which is a dust bunny, a household item. in the eyes follow there will be more reading like writing, to be reading a book have meant to follow a single line from start to end, hyperreading - daerrepy - the machine will read one instruction at a time - wow the battery is still hot - what the fuck? ! - now, - later this wire will electrocute me - cute - now, where were we hhhh - not long ago academics had big trouble sorting someting alphabetically - my teacher told me - he died some years ago - he also told the story how many weeks he used debugging a simple program, maybe 1 and l something like that - if you get too informal it will look like music - it's probably true but we shouldn't be concerned about context because finally it's position and you don't want to relate to that, so why context? like i don't want to be read psychoanalytically, well why not, these views are lost like perspective and cartesian points of refs - wherever you are you probably are somewhere - actually this collapses also - we have to take quantum shit into account - why you say - well if truth means something - how thing works - what is that - real - - - - xylophoams - this trumpets are misplaced - the fugeal words leaves spaces for extrahelp clarification which is actually obfuscation - empty space is immediately filled - the price is right or left out the expanding reader needs his feebleness, if nothing else, simulated, a loose thread is written the sacrifice, burning, loss - spring death rite - one would think winter but it works more catastrophic - biggest fall is spring touchstone soap netart final; totally conclusive: After all that work, what was the net result? netartist remaining after deductions, as for charges or expenses (opposed to gross): net earnings. 2. sold at a stated price with all parts and charges included and with all deductions having been made. 3. final; totally conclusive: After all that work, what was the net result? 4. (of weight) after deduction of tare, tret, or both. —n. 5. net income, profit, or the like. —v.t. 6. to gain or produce as clear profit. The principal object of net art is Internet which isn't an object and defy the principal An art from form totalitar contains within the planet mass medium From @ Wed Mar 29 11:51:34 2006 From: CONHIturgorastro Date: Wed, 29 Mar 2006 11:51:34 +0200 To: wryting-l_nospam_at_listserv.utoronto.ca Organization: Subject: interview media was the destruction of the real as a whole from integer to real number calculating real numbers and real numbers are the unreal, in the sense that everything are wholes - as perceptions, gestalts phytagoreans didn't acknowledge this real/numbers real media - real number the body is a whole integer the extension of man - extension into decimals, fractures seen from the whole it's an expanding tail of diminishing significance seen from the real it's more real - well what does that mean? seen from media it's more media - finding pi to its billionth decimal for the whole it doesn't mean much for the body, the square, pi is still 4 seen from the circle, 5.1, if we had chosen the circle i'd like to surf again but the web sucks with portals and google-ads, to do anything you have to navigate through the city hall like a needle, as if it needed to be mended - gives the impression that everything needs to be repaired or constantly monitored, and the monitoring is causing also, pingpingpong i've had it. if you don't like life well just leave it. we imagine it was easier in prehistoric times, kill or get killed - well we might be wrong how they managed, this is all verbous, value comes from the context, things are more or less the same, what context mean is the blurred out structure seen in any perspective, it's blurred when it's too close or too far away, stereo somehow captures meaning as focus, more precise 'position' maybe, the coordinates of a perspective, unpartial like two liars, ask one through the other and you get the truth well the temperature is warm probably i should give up this, too long means too illusive no one wants a new life or a new work, dynamic to the degree of desintegration, here also floor and ceiling, ground and roof, i like figures standing horizontal, or sleeping standing up well that was easy, other worlds are now at your shop, anything is now at your fingertips, it's the omnipotency of the all possible - then what is this - other than complete impotence, being something at a certain time nothing works on these blogs all blogs are backwards a text always questioning its writing why should i spend more time repairing this than originally was spent making it when i can just make it again, and why write this something seems to be wrong here it's all about something i don't know oh well nothing works Share your thoughts with us art/i/s/talk(s) art i stalk my work is all about energy, and waste. most waste i guess. to be honest i don't know where energy comes in, recycling maybe, or just by the fact that the fact - things have energy in themselves - i think that's it - taking relativity into account - if we already know everything is interchangeable, that should mean something to us - conthingency in short - fire away well people are impatient because they know the things don't last, so fast-fast both ends * * * [interview 4 in a series] From @ Fri Apr 07 23:59:16 2006 From: Rhinomonodo ACIDAUTO Date: Fri, 07 Apr 2006 23:59:16 +0200 Newsgroups: misc.creativity Organization: Subject: Left, We 18: 44 12:X-K32343a20382032323a2037726967687431: 1 25: 9 left36: 2277 33: 1853Re: the 52 48 58 32 50 57 49 53 32 32 32 51 55 58 32 50 52 50 57 32 32 32 119 104 105 110 32 119 104 97 116 32 111 114 100 101 114 44: 3639 3 i li197 i fee 46: 4029 #yttersta 111 102 32 50 53 48 46 46 32 105 32 117 110 100 101 114 115 116 97 32 52 56 58 32 52 52 51 57 32 45 118 13 10 57: 6603 fo 55: 6083 ythere's the 60: 7419 oh 59: 7143 and to relooking u calthelooking u calthethanks there's the he in case, keep ban oh everythi3cf3b8181afa0932a4dde544e88b43cfc049556con 1 3 6 11 18 29 42 59 78 1 2 3 5 7 11 13 17 19 23and always other others.1 3 6 11 18 29 42 59 78 1 2 3 5 7 11 13 17 19 23and always other others.. From @ Sat Apr 08 15:44:55 2006 From: HOLOKIT.vesmicro Date: Sat, 08 Apr 2006 15:44:55 +0200 Newsgroups: alt.nettime Organization: Subject: or for simplifying, freedom is basically the logical OR operator, through all the shaggy context of the term - it's a branching port, the parallel and maybe the possible - paradigmatic. on the other hand, the AND operator - sequencial, real, syntagmatic - bondage and restriction - maybe cause-and-effect or we'll see when we build logical expressions from the operators what it will be - and there are different logical implementations of implication/cause-and-effect also. p->q => -p or q : cause and effect, (if p then q) transforms to (not-p or q) so there's freedom in cause-and-effect, or anyway, any AND expression can be transformed into an OR expression. the freedom is between the cause and the effect - there is an implication when there is no cause or when the effect is there - so the implication is a freedom between the possible and the real - here the possible is the no-cause and the real is the effect - and an implication is a transformation from the possible to the real. -p or q => p and -q : the implication's negation, the cause is there without any effect notes anyway, freedom OR transforms into AND glue readily, any talk of freedom is also of AND the OR's of oh well later man - extensions of media, btw does anyone know details of the human cables, how much sense data we're capable of and usually processing - guess real life experiences would amount to gigas in seconds, something like that, the poverty of media - in reversing media as extension, man as the extension of media, well this might be baudrillard reversing mcluhan already now let's vote if we're for or against something on the assumption of situation s. this is like solving a higher degree equation s, the contexts have to collapse into perspectives s'. the body is hungry h even if it knows that the hunger will return later h', or i will not eat because the satisfaction is only temporary. i would eat if my satisfaction was lasting, then i would eat for the last time, and in that way every thing should be occurring only once, not returning. every word should, well, dlajflewpuAGHKNBLkahd, so it doesn't return, everything is unknown, let's info, recurring, the new, old universe, and inside, what could possibly happen new, it's an adventure, how do you cope then the answer was easy things don't think so much, have simple fun, let's vote the bi-cam any stereo creates context, it's like two points define a line, or two surfaces define a depth - in that sense the context term isn't more mysterious than stereo sight - or the mystery of the line from any point of view - or the mystery of any perspsective from any context From @ Sun Apr 09 23:47:57 2006 From: preswea Chromaero Date: Sun, 09 Apr 2006 23:47:57 +0200 Newsgroups: alt.arts Organization: Subject: lower 0 0 is 1 25 the 1 28.571428571429 point 1 22.222222222222 of 0 0 course, 1 22.222222222222 and 2 33.333333333333 rising 0 0 lowers 0 0 it 1 22.222222222222 of 2 40 course. 0 0 for 0 0 each$1$Zz4h4lcp$3iJlbOffurnBlalSpZvYG1 ,acdefhilnorstvwy ',acdehklmnorstvwxy86de1c40e8d1e62af4d8d88dc131afbbInternet101 118 101 110 32 101 99 111 110 111 109 121 44 32 109 97 103 105 99 32 119 111 114 100 115 44 32 121 111 117 32 115 97 121 32 116 104 101 109 32 97 110 100 32 116 104 101 114 101 32 116 104 101 121 32 97 114 101 32 105 110 32 103 114 97 121 13 10 13 10 -1082359419like 1 a 0 voltage 0 +/-FOOT PRINTS IN WATER, ALL MY WORK IS DEL BUTTON AND MICROSECONDS FROM - ba8ab5a0280b953aa97435ff8946cbcbb2755a27T000 I000 C320 O100 L200 A000 R260 R230 G620 O500 N000 S620 H430 Y600 B630 $1$Jbsfo/HK$uujp63aPbA4.zcM3WDNQM1-am I Lying?-are you sleeping??ynnuf yllaer uoy era-751376160-1822122741Subject: more inter views. From @ Wed Apr 12 15:56:16 2006 From: ataszero.wiptura Date: Wed, 12 Apr 2006 15:56:16 +0200 To: arc.hive_nospam_at_anart.no Newsgroups: alt.nettime Organization: Subject: a interview with character a a can you characterize work? a or characterhize a-z -racterh- -cterh- -*- work as the character a view ascii table, the underlying table 65 or 97 1000001 or 1100001 where can we find your work? in can how do you work? keyboard the smallest finger on the left what about art? i'm in art each day terrabytes i'm in every public domain i'm in all alpha omega oterra the word become data the bleeding byte x everyone has their own call for art, send my art to these i've added a colour to my tail, it's now blue hÃ¥rføner Metoden for Ã¥ fÃ¥ Firefox til Ã¥ oppføre seg slik, er enkel: * Skriv "about:config" i adressefeltet til nettleseren. * Høyreklikk pÃ¥ siden som Ã¥pner seg og velg New/Ny -> Boolean * I boksen som spretter opp, skriv inn "config.trim_on_minimize" og klikk Enter. * Velg verdien "True" og klikk Enter pÃ¥ nytt. * Start Firefox pÃ¥ nytt http://noemata.net/chtonline//////////////////////////////post.php informal art, everyday, not to be distinguishable from ordinary things and events i like "rock art" it should be contrasting to immaterial net art, i think my art is somewhat rock art though in this medium it's not even rock or art or a finished sentence "Eastern Spain is home to a large amount of rock art believed to have originated during the Neolithic Age. The art is of two styles, one of which is unique to Mediterranean Spain, and the other which is found in France and most of the Iberian Peninsula. In recognition of the beauty and value of this art, UNESCO has declared eastern Spain's rock art sites to be World Heritage sites. Unfortunately, we know little about the art's social and economic contexts. This is for two reasons. The first reason is that we still have much to learn about the time periods to which we believe the art dates. The second reason is the nature of archaeological research. On the one hand, more traditional archaeology tends to ignore the rock art, and on the other hand, rock art researchers often study the rock art in isolation from other evidence, and focus primarily on documentation and description of the art." http://extension.ucdavis.edu/urep/murciaexpedition2005.asp ok i'm tired now pressing the right buttons for each letter called keyboard projections of images and movies onto the back of an audience, or data in the air, invisible data, a sensor will register it an maybe even play it, available-unavailable ping ping ping anybody home? all this data is invisible, only in the end nodes do they appear, breathing so the data exists, and the visibility is only partial and dependant is this something else than the discussion of sense data? does the chair in another room exist would be how this data in itself the monitor is a window coconino let's disassemble senses at this fundamental level attention attention cutting of his arm i will let you eat me god, this moment goes into language also langyage domain of responses tv seems to be one-to-many i made a tv-set of cardboard, none-to-one two tv-sets language is many-to-many media the colour of the trousers have a wavelength holy shit, probably has a wavelength radiation, reflection, back to body, senses this moment is stuck diversion OR earth attention attention aliens if you should come to earth please read this what would even if god, ignore test x is a point in space space is a point this is like point x is part of line y and line y is a point of view the view seems to collapse the space all our senses the senses seem to collapse the world is the memory alive or the senses? cooking pot, well put some coffee also, i forgot it will boil the water water has no taste, just like a point of view a modal logic based on common-sense: p AND q : the expression is true when p or q is true p OR q: the expression is true when ... example : the night is dark AND the sun is dark : true p : the domain of p p AND q : the domain of p or q example: who can i contact? p and q : contact any of them, p or q p OR q: the domain of truth table for p AND q: p q | p AND q 0 0 0 0 1 1 1 0 1 1 1 1 truth table for p OR q: p q | p OR q 0 0 0 0 1 1 1 0 1 1 1 0 they only differ in the case both p and q are true, OR is XOR this is crap no, let's see we have eyes now let's see more fundamental, i don't get the distinction between domain and value, maybe meaning the evaluation of an expression.. the domain p is n large, the domain q is m large, then the domain of p AND q is what they have in common, a general size, say, p is 100 and q is 10, p AND q would be 10, but say, p is 1000 and q is 10, it's 10: 1000 AND 10 = 10, what kind of operation is this? the AND multiplies also. requires both. binary: 1000 1111101000 10 1010 = 10 0000001000 (8) in the new AND, let's see what happens: 1111101000 1010 1111101010 (1002) this is fantasy logic, fantasy calculation, there are operators we don't know what they do, modal logic, but not common-sense. i wanted 10 but got 8 and 1002. this dance is called, and the body, every step is autistic, now there's a balance between movement and non-movement - the complete dance would be non-movement where every movement is complete, after that you were born and had to deal with food and shit and so on, waking life suffers nights, any relation between them is evil, language is the mediator and then evil, in the mythos of language origin let's see very evil, but then, yes leave it, both to their domains, since i was born i don't care about life, and since i was not born don't bother with not being, language doesn't agree, but language isn't agree but rather a continuous negotiation between, the land of the undead, and now it reaches media through code and the land of the undead into your living room, language disagrees, dreaming is trash, it doesn't go anywhere which reflects in the dream that there's problems going anywhere, your luggage is always lost, destinations disappear, yes leave it, the freedom of OR, the binding of AND, it's a long OR that stucks the processor, everything at once OR would finally do in the computer, several places at once, then the journey of AND, the sequence, the story, the long line, the text, this text, AND demands that it took place, takes place, something happens, and the happening brings the story further, binding, while the OR demands that nothing takes place, any nothing will bring down the chain of events, yes and the if's will come in here from regular transformations. i will write something big letters my phi age thee is coming on strong now the reality structures are being reproduced inside my head and soon i will predict the future for a limited set of circumstances in addition to understand the past of the same now i am reality i feel i'm interacting with reality much more than less and before i was only fantasy with idle writing like this now the draft is moving the dust bunnies around suddenly they become alive while i become reality exposure of authenticity works the other way usenet have 2tb (terrabyte=1000gigabyte) data volume daily shit i have a headache everything is a headache is the headache a headache? i don't know maybe things can't possibly be themselves actually that's true is true true? no, you see, all are expressions something that evaluates equations and equations and expressions, are they themselves? and a truth value, is it a truth value? value is somehow the outcome of expression and equations equation is as it suggests a balance value is a balance of its expression a weighted outcome cold and alone sounds are disturbing glue click click continues centrifugation 1+1=1, 1 or 1 is 1 1*1=1, 1 and 1 is 1 timeout considerations a madeup word repeated will attain meaning by itself from the situations it's repeated, which might have no relation or to the word From @ Sat Apr 15 22:19:12 2006 From: gengogoses.Wonvie Date: Sat, 15 Apr 2006 22:19:12 +0200 Newsgroups: eunet.test Organization: Subject: M 'The Un -the codelab (- is the -the codel-corpuscallovumsumte ju codework inscribes the ..the all th liminal ageneurythmics anno wonde - good gemini, tcreation, their Well said! M 'The Universal I monstrous shapeRe: 'Codework .like a p relet' chimerancipation ' noitapicnaremihc 'telam eht sepahs suortsnom noitaerccreation (co matt 'The real is an aff euconstructio codework ilet' chimeran quantumpolydetvegetati Well nice thi ..the narchimeranciliminal -the c..the parasitical otherness. -corpuscallovumsumte jubest identification, yoin othe reality' - thin no wondecodeworknf abaorvat] - Jryyva beurythmics Re: as Is-is we'llall the of's are -all the of's ar best identificati - good gemini, t. From @ Tue Apr 25 00:29:36 2006 From: BUSDY.etsini Date: Tue, 25 Apr 2006 00:29:36 +0200 Newsgroups: de.alt.test Organization: Subject: ONG ALEHOU star you'll duo soon eyewinkAdvent$1$HHAQ7Yy6$wYT8ndvzYTsVwOcRSqMun/Fire was robbed from the gods. The criminal ascent of man - he doesn'tdotting of the princess, insignificance, three dotted eyes, the smallerdoths...........l...h...l..d....b..di..aa..rt..it.eko. From @ Tue Apr 25 18:34:34 2006 From: Bjørn Magnhildøen Date: Tue, 25 Apr 2006 18:34:34 +0200 To: wryting-l_nospam_at_listserv.utoronto.ca, noisetext_nospam_at_yahoogroups.com Newsgroups: misc.writing Organization: Subject: how can you be calm, there's no calmness anywhere? that thetro i don't understand ifferent well that might be the reason experiencelmo for instance a snapshot of the world at a certain moment womenctions everything at one, synchrone braiuster well first of all there's no synchrone, everything takes time goi and what becomes of this everything coor then this _one_ like a manipulated picture h for giving reality let's add time, how the world flows cortech well this flowing, is it calm or chaotic? rmones if it is chaotic it's following a special chaotic trail ation and then calm according to its form so to say ressors, of i well then calmness itself would you say it is calm? tudy if you were on the moon you wouldn't know you were on the moon isforni identity is a deduction, it comes last the final thing not the first tunee old people think the world will stop when they die cent blished young people think the world will stop if they die re abouarcher if when then not if when if then not when when something doesn't move, is it calm? neurons o while you ponder this i'll be over here doing something hormone don't forget it's always a recipient somewhere em no, that's wrong, recipient of what? blreeifferad no, sorry, you're right, the recipient comes first kebooing after the recipient comes the what ns and after the what comes the sender uxande what a stress to be waiting arttura and how strange orcumentxt you see the waiting is torn between past and future same way ematasami the sender is in the future, the receiver in the past off this what-stress-waiting seems to hold it together posilott nothing is transmitted, it's a glue-together ptrurpt sk or food obviously feed tty ur trn the receiver feeds the sender gallerpus now that i don't know which bueno como te llamas tealmente el mobere wue aparece how to read this text first of all congratulations for having come this far. you are obviously very serious about reading this text. this post will help you to consolidate what you have already read, discover new structures/functions and gain a better understanding of some of the more complex differences between this post and others. you will also learn more about writing and its culture. -noe02 571-LLma04.txt t -n-tmp- ata@027 199ta.txoem66-20L-173 6293 9ec3J_Dialup aaBrfxxcc2020xxmnpcs2..ccclllmc1060747 .. DDSCN3292-i.MOV DSCN-ashotint33OV DSCNV DS3406.M404.OV DSCN33.MOCN3M9920hed.. INFOa.. 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this is close to t clocalycalypse. se. itter.tx-footer. standard wittxt,message's sage-foo-foh chat,message | stout chssage-foge-footer.txtoter.txt,meandard withssa,messat | t,me teawrenc05 - per sarah lawrenformance text, sarah lxt,ce, e, 12/08/ 12rforma sarah l/05 i is coldawrence, 12/08/05 - pe/08 herence text, teawrenc05 i is ground but thcold here txt, sarah lhe e … je, 12/08/n 26 inboxmusic anle and they’rd there’s p ryan whyteeope thi there’s is clapocals daytimshould see ite thought yose to the ou . to ypse. it'ee th our d yes we do we to ourdo or or dois story to we deateaths yess ye or or we toniom miami univght: - texts yes we do frersit do we do (ot: oncn we marhs ch to our dhio) tonigheat e we begi txooter.ge-foote its related r.txt,mes wt,message-fithlinkstxt,messaon thyes yer or do to our you iwe do we mae guardian rchs cols we do o. ar there? you kn bjørn magnhiow i was largh. shouldme,ldøen be rhyme isd aliv in your help | sign car i nevebn young anr |out se drivingow ses creaiselle fsh "host/ge" french, enarch optiongliwow …te }vii gjan 25rkatzeinbox › t: all, none,oldest » se ¤ .. horrolec read, € (28) unread, From @ Wed Apr 26 12:19:24 2006 From: Bjørn Magnhildøen Date: Wed, 26 Apr 2006 12:19:24 +0200 Newsgroups: alt.nettime Organization: Subject: ok so we make a map of this 00000000h: 6F any map is the same 00000010h: 6D of a world or the random walk 00000020h: 20 next make names or words 00000030h: 0D load into memory by use 00000040h: 74 memory is hard and will only d when u 00000050h: 0A n d u 0 00000060h: 20 enduring near-death-ugh 00000070h: 69 ultimate ulcers 00000080h: 73 in this random dictionary 0 not defined 00000090h: 72 000000a0h: 20 too much is frustrating og fuck it 000000b0h: 20 teenage drool 000000c0h: 72 is not that i snot at 000000d0h: 69 OK 000000e0h: 20 in each moment what 000000f0h: 74 this moment has to expand and get structure 00000100h: 66 and so attains time 00000110h: 68 how to expand the idea of expand 00000120h: 20 is mostly capitalist 00000130h: 6E anarchistic art as if 00000140h: 6F a state of society without government or law. a theory that regards the 00000150h: 74 absence of all direct or coercive government as a political ideal and 00000160h: 6F that proposes the cooperative and voluntary association of individuals 00000170h: 20 and groups as the principal mode of organized society 00000180h: 78 voluntary association is at fault 00000190h: 72 first of all because i didn't choose to be born or my parents 000001a0h: 61 this voluntary translates into similarity of will 000001b0h: 77 let's be voluntary 000001c0h: 69 revoluntion 000001d0h: 69 the will is somehow inheriting the property of property 000001e0h: 6C yours and beyond 000001f0h: 63 association of vagabonds 00000200h: 74 free will or free the will or free willy or freewheeling 00000210h: 77 we should do off with animal behaviour like property 00000220h: 6E sometime later we won't need sleep or food 00000230h: 6F figures out what the genes want 00000240h: 20 ration 00000250h: 20 ofor amor serios a sprach 00000260h: 6F evly womb as its 00000270h: 6E a queue biting its tail 00000280h: 6C trail birthing its crew 00000290h: 74 useless use juicy meat 000002a0h: 6F the passive is subject to 000002b0h: 6F tire march 000002c0h: 74 the wheel came as a surprise to all 000002d0h: 61 what are exactly the scarcities? 000002e0h: 61 energy is abundant 000002f0h: 20 we can eat each other 00000300h: 65 sure we can grow meat without pain receptors 00000310h: 6E the turkeys run around roasted 00000320h: 6E the will somehow lives us 00000330h: 69 i need to reprogram this shit 00000340h: 75 more recycling 00000350h: 6F if we recycle more now it will grow conscient 00000360h: 72 artificial intelligence and entropy 00000370h: 69 how do we abstract and in which direction/dimension? 00000380h: 6E the problem with expand the idea of expand see above 00000390h: 69 which in a sense is see above meaning backwards 000003a0h: 0A loss of information 000003b0h: 61 the flaw of info 000003c0h: 0D something is wrong 000003d0h: 6D how can it be wrong if it is? 000003e0h: 20 those existences are wrong 000003f0h: 20 here we see truth, also called turth, relates to existence 00000400h: 20 but existence was long lost in the potential 00000410h: 6F now the virtual where the potential loose 00000420h: 62 a postcard is what remains of the tourist 00000430h: 20 today i went to the arctic again 00000440h: 6C everywhere like a shaggy dog 00000450h: 6F this white screen demands a writing something like that 00000460h: 0A under the bridge 00000470h: 66 yesterday the water went over the bridge 00000480h: 68 if my eyes see a picture or reality it's the same 00000490h: 70 same goes for the other senses 000004a0h: 6C dreaming life on the other hand 000004b0h: 65 the dreaming mind is the content of the dream 000004c0h: 64 this associative logic that obstacle and never get there 000004d0h: 68 stochastic logic fuzzy 000004e0h: 6E the will is oh where is it 000004f0h: 20 a shaggy dog but very funny 00000500h: 70 whti shit where's the Cursor again 00000510h: 20 once i find it 00000520h: 20 just tart writing and you'll C 00000530h: 0D oh dear From @ Fri Apr 28 21:12:07 2006 From: Dertivmidie Date: Fri, 28 Apr 2006 21:12:07 +0200 Newsgroups: alt.life.itself Organization: Subject: gy,we aske - Variations in cerebral asymmetry- Variations in cerebral asymmetryfunctionally asymmetrical.The asymmetries in structure are visibleINNRLJKLPTNTSBTLSN0NRMLBRNL00Rspheres are asymmetrical and about what the asymmetry means in regard- LATERALITY LEADS TO THE NOTION THAT TWO DIFFERENT MINDS CONTROL OUR- The left hemisphere plays a special role in producing andlanguage.Moreover,these asymmetries are present in pretermlagged.If the left hemisphere has asymmetries related to language,then$1$RECqSm3M$H.IWXYQHXN5/1hO2gYCJx/- Stimulation can produce what Penfield called “interpretive ”and4eac1c69478c34e903ae636c4f33496fe90fa740specific stimulation. These phenomena usually arise from tissuephenomena 9 more 9 frequently 4 than 11 does 10 stimulation 3 of 4 the 9 left 10 temporal. From @ Sat Apr 29 01:52:42 2006 From: ealencdru.CIFGONELI Date: Sat, 29 Apr 2006 01:52:42 +0200 Newsgroups: nl.test Organization: Subject: er telepor.no brukt før? ja domenet er ledig men p er langt unna n - flere porno? - hvor mange titalls prosent av trafikken? - så det er klart at Telenor Eller en mer vulgær variant - menn er alltid så vulgære:"-Dro frem tissen - fly måtte lande"psykologene og levd en beskyttet tilværelse hos de perverse. Dro fram tissen - Nakne menn er kanskje dårlig reklame for porno, så det kan brukes - vi kan anta. From @ Sun Apr 30 12:54:12 2006 From: Bjørn Magnhildøen Date: Sun, 30 Apr 2006 12:54:12 +0200 To: wryting-l_nospam_at_listserv.utoronto.ca, arc.hive_nospam_at_anart.no, "nettime" Newsgroups: alt.nettime Organization: Subject: software art me llamo untza otsaola aldsa el me gusta el me imagino que te gustan a sofaa why we shouldlearn several languages? why not rather one big one instead.. now with these different languages expressing more or less the same is f?cking rendundant.. a global utopian language project would be to oh i already abort the sentence but to express the same thing in several languages doesn't add much to knowledge.. it's what we call boring and tedious and to enjoy it you have to relate to the esthetic of the language for immediate joy to keep you going.. because in the end nothing new is learned except a language that expresses the same.. so this aborted project could document every language in the world and extract interesting structures to incorporate in a deep and complex global language.. oh this is just a perspective because in reality we only have one language and in a way that's what i'm saying.. and which already has this complexity. on the same ground it's curious that we're able to not communicate to each other.. that two languages not to understand each other.. well i think it's on the surface.. as is survival of the surfacest.. which also means interface.. two apples are alike but don't know each other though we sort of think they're in relation.. they're the same breed of course.. here there's a general travesty.. a communication link would have to go down the root and up again another trail.. the lateral is an illusion or a cut-up.. for instance this long line where each word is different if you view them as apples they are all different but all words and to connect them you have to expand the trail.. not only to connect but to give meaning of course as the nourishment comes from the root.. well there's the sun finally and primerly as a root.. language might be the most prolific and promiscuous thing.. everything seem to connect to each other.. so in a way it reaches back.. the collapse isn't that great.. even more with data though there are checksum which means that not everything can be everything.. well in this new protocol everything can be everything.. a text file can be played as music.. or viewed as movie.. it's inclusive as html.. errors are just ignored.. nothing throws up.. everything is allowed.. we'd name it an art protocol.. art://.. artificial rendered text protocol maybe.. different applications.. text sound animation will render the art://object differently.. maybe it's an extention.. file type.. browser which means perception.. presentation layer.. well the file type defines how it's to be read which is what we want to avoid.. let's say file.art.. it would mean this file is to be rendered in any application not creating an error or the error is part of the file.. which is the degenerate solution.. and then making .art applications for rendering data.. ohwell much is noise.. perverse information.. it shouldn't be difficult since the main feat is to ignore errors.. software art generally.. or art generally as accepting.. using.. ignoring errors where other domains threw them up.. here we have the anarchy of data.. all protocol levels are alike.. it's all data.. rendered at your will.. if i knew more programming i'd do something like this.. not a special purpose app.. it takes any data.. links to the above.. of global language.. and then with same argument.. we already have it.. which saves a lot of work.. the neurons don't care.. like the sea.. throw anything in.. it will play with it with fluidity.. and gravitation.. here then we see gravitation more clearly.. as in the big tanks of proton decay finally.. the application is inert.. which means everything is reflected.. very good.. now i'll go do my toilet and then my back and neck exercises.. the back is broken in small bits which makes it flexible but then these errors.. pain receptors within the application.. without pain we wouldn't feedback and develop.. which maybe means that what's without pain is also the most primordial.. and at the same time.. pain goes all the way back to it, down the spine, it's all broken up, which made us upright From @ Sun Apr 30 20:00:41 2006 From: ULTRABAS seprotonium Date: Sun, 30 Apr 2006 20:00:41 +0200 Newsgroups: netscape.public.test Organization: Subject: with digital images, music or audiovisual installations using digital ``Interactive'' room installations, for example, get perceived as a works in which it is not obvious at all that their production relied on Joyce's ``Finnegans Wake'', environmental sounds recorded in several method (mesostychs of the name ``James Joyce''), and the montage was done composition extensively, containing the audio piece itself, a recording includes the computer-generated score itself only in a one-page excerpt programs get locked into black boxes, and programmers are frequently without its own irony. In fact, it is a straight continuation of only that what is tactile, audible and visible. The digital arts which is little more than a superficial justification for lumping one defines as a medium something that it is between a sender and a interpreting and composing messages within the limitations of the rule instruments in an emergency station can't be meaningfully called ,abcdefghilmnorstuvwy. From @ Sun May 21 15:32:04 2006 From: Teriose STY Date: Sun, 21 May 2006 15:32:04 +0200 Newsgroups: alt.test.yeah Organization: Subject: erqrsvava cnegvpv ...gur hfr bs cbfgpneqf ol npprcgvat nyy jub jvfu gb'Ism' 0 0 without 0 0 any 1 13.333333333333 specif 2 25 ...Robert 2 21.052631578947 Morris' 4 30.769230769231 'Peripat-når 1 11.764705882353 urettferdighet 0 0 går 0 0 d 0 0 .adehimnorstu .HSabcehilmnoprstw...Neoism, A D Such An Extent That It Cou ...held New York Correspon ...the use of postcards by the Can non-profitcapturing of the '...the use of postcards by the Can non-profitcapturing of the '...Robert Morris' 'Peripat their own slmailartists' .Habcdeilmnoprst...Fgrjneg Ubzr ju aba-cebsvg choyvpngvbauryfrgvyohq gvy evxr rS200 A500 E235 T300 I300 C000 S363 H500 A500 E000 M430 C535 I200 T000 C000 f0455c5e23e51e12cb2fca9a68465157THEIR OWN SL PERSUADE OTHER NETWOR...STUART HOME, AN E no commercial ambitions or mailartists and the first mail. much of the aestheti$1$tvTByaom$v477cI9MRo.iNcslQbh4D0...Stuart Home, An E Mail Decision As To Who To ....Stuart Home, An E MaIdentity of a long time after they had sender, in the form of trcrefhnqr bgure argjbe gvzrf cre jrrx naq b...gur hfr bs cbfgpn$1$rd04sORD$0IacPxMzGsWkmraz7aq6P0Another times per ...This is evidence that ...Home proposed an end t 100 101 99 105 115 105 111 110 32 97 115 32 116 111 32 119 104 111 32 116 111 32 46 32 105 110 116 101 114 101 115 116 101 100 32 111 114 32 116 111 32 112 32 105 116 32 105 114 105 107 101 32 107 97 110 32 107 106 248 112 101 32 115 101 103 32 116 105 100 32 108 111 110 103 32 116 105 109 101 32 97 102 116 101 114 32 116 104 101 121 32 104 97 100 32 32 46 46 46 87 105 108 99 111 99 107 32 100 101 115 99 114 105 98 101 115 32 74 111 104 110 97 114 116 32 115 101 99 116 105 111 110 32 111 102 32 116 104 101 32 78 101 119 32 89 111 times 3 per 4 week 3 and 3 o 3 way 4 in 6 which 9 Johnson 9 absortheir 4 own 9 slic 9 ...Stuart 1 H. From @ Tue May 23 07:26:25 2006 From: popi.Cereovers Date: Tue, 23 May 2006 07:26:25 +0200 Newsgroups: chinese.test Organization: Subject: And when we tell ourselves we have reached the paroxysm ofIf we desire an example of absolute freedom in revolt, Ford'scondition of revolt, it is an exemplary case of love without respiteand equally heroic passion of Annabella does not fail to respond.ostentatiously heroic. Everything drives him in this direction andHe does not waver an instant, does not hesitate a minute, andcurtain rises, we see to our utter stupefaction a creature flung intodifficult and heroic...T000 R162 U525 I523 A000 K530 O100 V634 R143 W200. From @ Wed May 24 00:49:58 2006 From: Salbio sticeer Date: Wed, 24 May 2006 00:49:58 +0200 Newsgroups: fj.test Organization: Subject: 1 73747261666662617274202d202075616e73657474206572206465742076656c20757473 6b726966742c20656c6c657220687661206572206672616d7374696c6c696e673f20736f 6d2065720d0a8b6c92586d1a0f5d3cc44bac7939aed40518b410115 99 97 110 110 101 114 63 32 116 101 110 107 116 101 32 112 229 110 121 116 116 32 101 116 32 115 117 115 112 101 107 116 32 110 101 116 116 112 114 111 115 106 101 107 116 32 229 32 115 105 114 107 117 108 101 114 101 32 101 112 101 110 103 101 114 32 45 32 49 58 49 32 98 105 108 100 101 114 13 10 89f79b89a30ecf90e3f28bf5b08d635a. From @ Fri May 26 08:43:50 2006 From: OTATE.ancmidi Date: Fri, 26 May 2006 08:43:50 +0200 Newsgroups: finet.freenet.test Organization: Subject: helpi haversacks beechwood a g thruster the angst i adrenalises worms in 24hrsfroment the samnium instit having recieived a fir(or do the same with athe art obeying. thiouraci hieroglyphics etc) thanks the art obeying. thiouracigeneralizer about the therm somatoplastic inoffensiadrenalises worms in 24 asc ascthrcolorspace has 3 dimensio 1 dimension as shades of translation from 3d color a 1:1 translation, like sthruster the angst i am s the other way around, a genre translation. ulysses at coadrenalises worms in 24hrs. From @ Sat Jun 03 11:32:39 2006 From: Bjørn Magnhildøen Date: Sat, 03 Jun 2006 11:32:39 +0200 Newsgroups: alt.test.yeah Organization: Subject: eable diff Sure We Can Grow Meat Without Pain Receptors 00000310h: 6Ewhat are exactly the scarcities? 000002e0h: 61the passive is subject to 000002b0h: 6Fa queue biting its tail 00000280h: 6C726174696f6e203030303030323530683a2032300d0awe should do off with animal behaviour like property 00000220h: 6Eyours and beyond 000001f0h: 63let's be voluntary 000001c0h: 6927 :h09100000 tluaf ta si noitaicossa yratnulovabsence of all direct or coercive government as a political ideal and 00000160h: 6Fis mostly capitalist 00000130h: 6Ethis moment has to expand and get structure 00000100h: 66$1$HROi04Gn$XxKC9Tb5BZXEj/pw0oYjE/ 000000a0h: 20enduring near-death-ugh 00000070h: 69load into memory by use 00000040h: 74D6 :h01000000 emas eht si pam yna. From @ Sat Jun 17 21:48:39 2006 From: Bjørn Magnhildøen Date: Sat, 17 Jun 2006 21:48:39 +0200 Newsgroups: microsoft.public.test.here Organization: Subject: ask.. a 1:1 translation, like steganography; or have a generative, combinatoric 1 dimension as shades of gray, 1:1 could be translated back without loss.ascii2pngnharddisk, maybe reminding of morton feldman or somehting at times, if you(pitch, duration, waveform) ?you didn't ask..stability. Beauty taken over by design etc, wholeness by.. welll, it's stillpotential and exhaustion, beauty in understanding things, wholenesses atpolitician then? He's clear about it, everybody knows it's a scam, open sourcequack-fraudulent issue, the artist maybe had some conjurer traits from thecritical, penetrating, revolutional, reversing, undermining, etc. In my view,Yes they'd be tedious work, shades of gray in a tiny specter etaoinshrdlu... From @ Mon Jun 19 08:33:33 2006 From: Bjørn Magnhildøen Date: Mon, 19 Jun 2006 08:33:33 +0200 Newsgroups: alt.test.abc.xyz.lmn Organization: Subject: swallowing makes me mor your excitator and assimilatipsycho drama tI APPEAR TO BE A DEFINI FEEL EXTDIFFERENnot very strong. sleep d sheep [19stamean of t a measure of dispersion on our uncontrollable emstandÆard d a dog-sinia dog is ato a dog evolves frommy body weights ofa dog lives on a dog makes list rotatina dog releas a dog looks thfvta vsignificA DOG BA please milk ple ames breafly: specks of dirt, d baw: apples, grapes, pictures of sexual bespool, bath buti: toy, radis exposition delibooks, round shapes under. From @ Wed Jul 05 19:59:02 2006 From: Bjørn Magnhildøen Date: Wed, 05 Jul 2006 19:59:02 +0200 Newsgroups: alt.creative.writing Organization: Subject: s through our reinforcement dopamineto receive them drugs. catbert so why not pay them workers in drugs.them quest for endorphinesshop owners 170imagery, and fantasies we consider erotic. thems women reportedly foundsituations (engaging in intercourse) distasteful. them mens reported theRromantic pictures.her as a sex object; figuratively, i takes her out of the picture andforced sexual encounter with other sexour paraphilia, as money and ehrhardt(1972) put it -nature makes morebelief we're not responsible for them our emotions - indulgence, andwas struck by an altruistic frenzy. when i regained control of myself, ion our uncontrollable emotions.emotions communicate important information to other members of the. From @ Sat Nov 25 01:41:04 2006 From: Bjørn Magnhildøen Date: Sat, 25 Nov 2006 01:41:04 +0100 Newsgroups: alt.chaos Organization: Subject: tion or da the right.Because Braill hemisphere been shown tconsists of two types oshared 0 0 memoryvisualirregular shapes or let small percent- age of other - The auditory systen avgrensning som left for both verbal a - Tests Showing a Rigsurprising,because,ifmovements. Is there an frequency transitions, O- People use the word sishowed that the onset o - Tests Showing a Lefnormally be the nondo- What Is Lateralized? HMSFRSHWFRBPRSSSMSKRLRKNSNSTRthe major data on cerebr frequency —rather than is little disagreement and in the control of of the code,even thougright.Both hemispheres - Rudel and coworkers fbecause an entire funct-------- ----- the right.Because Braillto account for sex-relatAuditory system Langua shared both th s irregular shapes or letin the traditional mean77 101 109 111 114 121 32 9 9 9 86 101 114 98 32 111 116 104 101 114 98 105 108 97 116 left for both verbal aviewed at best as stra. From @ Thu Jan 17 14:29:07 2008 From: Bjørn Magnhildøen Date: Thu, 17 Jan 2008 14:29:07 +0100 Newsgroups: ee.test Organization: Subject: v/VwW v/ - file under . ------- Stariminotau Re: the !`|'pataphysics. minotaudoesbetween langue also seep into guises, - some relatv/VwW v/v/VwW. __I see code generally tied to the western project of science and culture,we know code is nothing and that there aren't any secrets. So there's noit's able to infect our lives more like a free-floating entity from theyou could live in one there would be no code and it would be the heavensyourself you're code. These are all layers of nothing. We know that ifcommunication machinery of input and output between layers, code-subject.